The Spanish choreographer and visual artist Olga Mesa presents for the first time in Portugal Suite au Dernier Mot, a visual and choreographic poem, while autobiographical and documentary, which explores the notions of territory, look, memory and emotion.

In this "soil together," the artist reveals herself as both subject and object of its creation, placing the body in a territory of functions and applications that calls "coreograma". Olga Mesa, which in this study with the collaboration of his longtime accomplice, the visual artist Daniel Miracle, explores the virtual space and real space between the body and its observation in a piecemeal approach in the creation process of moving from the look that originates and its perception by the viewer.