See that My Grave Is Kept Clean

Adaline Anobile

03

April
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SEE THAT MY GRAVE IS KEPT CLEAN
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  • National Premiere
AUTHOR(S)
  • Adaline Anobile
DATE
  • November 2nd, 9.30 PM
  • November 3rd, 7 PM
DURATION
  • 45’
TICKETS
CLASSIFICATION
  • Over 6
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Synopsis

A print by Albrecht Dürer dating back to the Renaissance depicts a strange scene: a naked woman is lying on a table behind a grid; facing her on the other side, a man tries to reproduce what he sees, using the grid as a reference system to measure, to pinpoint, to see. Even if the figure of the woman is captured by this device, called a perspective machine, it will never be entirely contained. The grid cannot capture her depth or thoughts. In See that my grave is kept clean, the three figures in the print – the naked woman, the observer and the grid – are transposed to the stage.

Technical Sheet

Concept and performance
Adaline Anobile

Artistic collaborator
Carolina Campos Cenário

Set design
Pauline Brun

Light design
Leticia Sckrycky

Artistic guidance
Myrto Katsiki

Co-production
Landslide, far° festival des arts vivants Nyon no contexto do programa Extra Time

Support
Loterie Romande
Fondation suisse des artistes interprètes SIS

Partners
Workspacebrussels
Honolulu Nantes
BUDA Courtrai
La Caldera Barcelona
Atelier REAL
Théâtre Saint-Gervais Genève

Bio

Adaline Anobile was born in Switzerland. She completed a Masters in Textile Design at La Cambre Visual Arts School in Brussels (BE) before pursuing her research in dance. In 2015, she completed her Master’s degree in Choreography at ex.e.r.ce / National Choreographic Center in Montpellier (FR). Her interest in philosophy, somatic practices, martial arts and voice have influenced the development of her work. Moving between fields, formats and techniques, her work develops in the midst of things: matter, words, bodies and concepts contaminate each other in multi-textured realities that defy hierarchy and domestication. In an attempt to grasp these foreign yet intimate spaces, her process questions systems. Drifting between the systematic and the sensual, her work experiments with shifts in perception. Her latest works include À 10CM PRÈS co-written with Julie Gouju (2018); NOIR APPARENT co-written with Rudy Decelière (2014); as well as a series of short solo performances ALINEA (2016), ABBATIALE DE BELLELAY (2012) and RUNNING (2010). As a performer, she has lately been working with João Fiadeiro, Laurent Pichaud and Jule Flierl. She currently lives in Brussels.
2nd
November
SEE THAT MY GRAVE IS KEPT CLEAN
Adaline Anobile
9.30 PM, CAL - Centro de Artes de Lisboa / Primeiros Sintomas
3rd
November
SEE THAT MY GRAVE IS KEPT CLEAN
Adaline Anobile
7 PM, CAL - Centro de Artes de Lisboa / Primeiros Sintomas

© far° Nyon / Julien Gremaud